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Concerts with works by
Christian Mason

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Upcoming Concerts

Concerts in season 2024/25 or later where works by Christian Mason is performed

February 14, 2025
Artistic depiction of the event

My Melodies

Fri, Feb 14, 2025, 20:00
Hornisten des hr-Sinfonieorchesters, Alexander Waite (Piano), Matthias Hermann (Conductor)
Helmut Lachenmann's music for eight horns seeks new ways of listening, not new sounds. Christian Mason's composition sees the orchestra as a giant resonating instrument. In between, Lachenmann's first major piano work. Lachenmann's "My Melodies" goes beyond the classical soloist and any notion of melody. He aims to make perception tangible through unconventional use of familiar instruments and tones. The hr-Sinfonieorchester, along with two Lachenmann experts, perform this extraordinary concert.
February 15, 2025
Artistic depiction of the event

Elbphilharmonie Visions 2025

Sat, Feb 15, 2025, 20:00
Hornisten des hr-Sinfonieorchesters, Matthias Hermann (Conductor)
The Frankfurt Radio Symphony Orchestra, led by Matthias Hermann, returns to the Elbphilharmonie as part of "Elbphilharmonie Visions 2025." They'll perform Helmut Lachenmann's "My Melodies" for eight horns, and Christian Mason's "Sympathetic Resonance", using the orchestra as a giant resonating instrument.
May 16, 2025
Artistic depiction of the event

Gastkonzert: Natur und Mensch

Fri, May 16, 2025, 20:00
SWR Vokalensemble, Ensemble Modern, Ustina Dubitsky (Conductor)
Man's relationship with nature is complex: a place of longing, a role model, and a victim. Nørgård uses Rilke's texts to find this connection in sound. Mason composes based on swarm intelligence, mirroring fish and birds' survival strategies. Staud's choir remembers death marches witnessed by willows. Pagh-Paan tells of Korea's exploitation and societal upheaval leading to a "loss of soul".
May 17, 2025
Artistic depiction of the event

Gastkonzert: Natur und Mensch

Sat, May 17, 2025, 20:00
SWR Vokalensemble, Ensemble Modern, Ustina Dubitsky (Conductor)
Man's relationship with nature is complex: a place of longing, a role model, and a victim. Nørgård uses Rilke's texts to find this connection in sound. Mason composes based on swarm intelligence, mirroring fish and birds' survival strategies. Staud's choir remembers death marches witnessed by willows. Pagh-Paan tells of Korea's exploitation and societal upheaval leading to a "loss of soul".